For the longest time (we’re talking millennia here), we had the Seven Wonders of the World.
There was just one problem for the demanding 21st century travel set.
Except for the ever durable Great Pyramids of Egypt, the rest were nothing more than distant memories from a hazy history.
Want to see the Hanging Gardens of Babylon or the Colossus of Rhodes? You missed that boat by many centuries. A rendering in a book or online is the best you’ll ever do.
The solution? In 2007, a global contest was held and more than 100 million votes were cast for the New Seven Wonders of the World.
And while many of them are very old, they’re still here! These are durable destinations where we can actually go see the wonders – and take a selfie for posterity.
Visit these seven magnificent sights, and you’ll have checked off four continents on your travel list as well. Let’s get started:
Chichen Itza (Mexico)
One of numerous UNESCO World Heritage Sites on the list, the complex of Chichen Itza is the most famous symbol of the once mighty Mayan civilization. Archaeologists believe Chichen Itza emerged as a major economic and cultural center around 600 AD and grew for several centuries.
It was eventually abandoned and lost to nature in modern Mexico’s Yucatán Peninsula. The ruins weren’t uncovered until 1841, and it’s only become a big tourist destination in recent decades.
The pyramid of El Castillo (“The Castle”) is probably the best known structure of the once vast city.
Best time to go: Go early in the morning before it gets too hot and cruise ship passengers from Cancun arrive. People also go for spring and fall equinoxes for an unbelievable shadow show – but expect huge crowds then.
Christ the Redeemer (Brazil)

By far the “baby” of this list, the Christ the Redeemer statue was finished in 1931 but has already taken its place in the pantheon of historic wonders. Standing 30 meters (98 feet) tall and outstretched arms spanning 28 meters (92 feet), the simple but mesmerizing white statue of Art Deco design has an amazing view over Rio de Janeiro.
It’s one of the most magnificent meetings of natural and man-made beauty in the world.
Best time to go: Rio tends to be drier (better for those spectacular views) but also hotter in December through February. Afternoons have bigger crowds generally. Mornings are better for taking pictures of the statue; afternoons are better for taking pictures of the city panorama. Expect more people during weekends and Rio’s Carnival.
Colosseum (Italy)
Those Romans sure did enjoy their games – gladiator fights, man vs. animal contests, chariot races and even mock naval battles. And say what you will about their entertainment choices, they built a Colosseum to last.
Emperor Vespasian ordered the construction around 71 AD, and it was dedicated in 80 AD during the rule of his son Titus. It held around 50,000 spectators and even had a retractable awning to shield Romans.
Given how quickly stadiums come and go in the modern age, it makes this feat of engineering all the more amazing. And this freestanding structure sits in the middle of a bustling, modern-day Rome.
Best time to go: You’ll find fewer tourists there during Rome’s low season (winter), weekdays and during the opening hour (8:30 a.m.) or near closing time (varies during time of year). If you show up in summer at midday, it’s going to be hot!
Great Wall (China)
The Great Wall began around 220 BC, and construction continued for millennia. Its purpose: Keep nomadic people to the north out of China. Eventually, it couldn’t hold back the Mongols, who successfully invaded in the 13th century anyway and set up shop in what’s now Beijing under the direction of Kublai Khan.
However, the Great Wall has turned out to be a great way to usher an invasion of tourists (and their money) into China in recent decades.
Stretching for 8,852 kilometers (5,500 miles) along the best-preserved Ming Dynasty portion of the superstructure, its travel appeal is obvious. In the words of UNESCO’s page on the wall: It’s “an outstanding example of the superb military architecture, technology and art of ancient China.”