
The hand-crafted sets of Wes Anderson's dystopian film 'Isle of Dogs' went on show in London this weekend.

Visitors are given a chance to explore his vision of Japan in 20 years time.

The film is based in Anderson's fictional city, Megasaki.

These meticulously crafted visions of Japanese culture are a model architecture-lover's dream -- the towering metropolis has been created in extraordinary detail.

There's even a wood-panelled bar, stocked with medically enhanced sake.

"Even the lanterns have been hand-carved and painted in resin," says cinematographer Tristan Oliver.

Filming the Isle of Dogs was a huge operation: "We had between 40 and 50 film units running at one time," the cinematographer explains.

Design cues for the some of the sets came from beyond Japan.

The stop-motion animation features an autocratic puppet mayor named Kobayashi.

The mayor has an ancestral vendetta for dogs.

He exiles all canines to Trash Island -- on show in all its rubbish-laden glory -- where they form clans and fight for food.