This article was originally published by The Spaces
, a digital publication exploring new ways to live and work.
As Britain's contentious Postmodern architecture comes of age, the rebellious style is attracting a new generation of admirers. Best known for its striking shapes and bright colors, the eclectic architectural oeuvre blends contrasting historic influences, and was conceived as a playful riposte to the clean lines of modernism
For decades it's divided public opinion, but with many PoMo
buildings at risk of demolition, the architectural style might finally be overcoming its reputation, and finding new relevance...
"Post-Modern Buildings in Britain,"
by Geraint Franklin and Elain Harwood, is reassessing PoMo's merits, tracing its history and celebrating some of its best examples -- from civic and commercial buildings and housing estates to landscape design.
"The built works of British postmodernism, always in the minority, are today fast disappearing -- hence this book," explain the authors.
"But the postmodern movement's guiding principles and strategies -- chief among them pluralism, context, narrative and subversion -- have never been more relevant to contemporary architecture."
Embankment Place (1987-90) by Terry Farrell Partnership Credit: Lucy Millson-Watkins
American architects Robert Venturi
and Denise Scott Brown founded the movement in the 1960s in the US, and by the 1980s it had established itself in England -- championed by architects including Terry Farrell
, James Stirling and John Outram
Franklin and Harwood's book spotlights the country's most starting PoMo additions, including Stirling's iconic One Poultry
-- a candy-striped building with colored windows and stone bays, which took reference from Roman rostral columns and submarine conning towers.
Also included is Farrell's original design for TV-am studio, which featured a Japanese temple, a Mesopotamian ziggurat staircase and Italian garden -- the building itself was partly demolished in 2012 -- as well as Outram's Harp Heating, which featured Greek columns topped with giant flame motifs. The book also shines light on lesser known PoMo buildings outside of London, and municipal additions to the landscape.
One Poultry (1994-8) by James Stirling, Michael Wilford & Associates Credit: Derek Kendall / Historic England (c)
"The sudden eclipse of postmodernism in the 1990s left unanswered questions about its lasting contribution to British architecture," says Franklin and Harwood.
"As a style its passing was regretted by few, yet its extensive critical and theoretical armory continues to be exploited in different ways. Perhaps postmodern left a permissive space in British architecture."
"Postmodern Buildings in Britain"
by Geraint Franklin and Elain Harwood, published by Batsford, is out now.