I watched it unfold and began to sob. Not at the racism, as awful as it was, but seeing myself in a teen who turned a blind eye to all his parents endured in pursuit of happiness. As the film's eponymous song goes: "Mama always told me not to look into the sights of the sun. Oh, but mama, that's where the fun is."
It's not surprising that Gurinder Chadha's film evokes such recognition among my generation, born to post-World War II immigrants, now reaching middle age and raising children of our own. It joins a growing genre of Asian-American movies with old world-new world tensions at their heart: "The Farewell," "Meet the Patels," "Crazy Rich Asians," "Always Be My Maybe" and Chadha's own sleeper, "Bend it Like Beckham."
Timing is everything, though, and my hope is that a broader audience sees this movie -- shot almost entirely in Britain -- for what it actually is: an ode to America. I saw the movie the week President Trump made his "go back" comments
, and it contextualizes both his point of view and the hurt with which it lands.
"Blinded by the Light" tells the story of Javed, the son of Pakistani immigrants -- his mother works as a seamstress and his father loses his job in an auto factory. Javed turns to poetry to both capture and escape his 1987 suburban British existence; his hometown of Luton, he writes, "is a four-letter word."
All around him, tensions flare. Skinheads taunt him on the way home from school and there's the broader political backdrop of Prime Minister Margaret Thatcher's re-election bid. The Iron Lady was not known for rolling out a welcome mat to the Commonwealth's former subjects. She once explained
, "People are really rather afraid that this country might be rather swamped by people with a different culture."
It is a Sikh classmate who hands Javed a cassette tape of Bruce Springsteen. Javed gets hooked, as if the Boss -- a continent and several cultures away -- uniquely understands his pain. He becomes obsessed with lyrics about class struggle and identity, so far from the expectations of Pakistani and British society. And through this a portrait of the hardscrabble American dream emerges, along with Javed's yearning to be a part of it.
We know the feeling of being trapped in the middle
In 1988, a year after the setting of this movie, I moved to Springsteen's native New Jersey. The state is a frequent muse and backdrop to his songs, and rightfully so. My parents emigrated from India to the US in the early 1970s and I have lived all over -- Puerto Rico, New Delhi, New York City, Los Angeles, Washington, D.C.
I can attest to the fact that New Jersey is the most American place on earth.
New Jersey is the ether of a laid-off worker trying to find his place, of an immigrant who escaped family dysfunction and political violence, and of a teen who thinks Jersey is a four-letter word, too. Its density breeds diversity, for New Jersey can make room for anybody. Like 53% of America
, the state is largely suburban, at once labeled a commuter's paradise and the armpit of America for its neither-New York-nor Philadelphia identity.
We know this feeling of being in the middle, trapped as translators. After January 2018, when President Trump referred to some immigrant homelands as "shithole countries," I desperately tried to shield my parents from the news. My kids, too. The cursing was secondary to my deeper fears that they would no longer feel they had transcended one home, or fully belonged in another.
We've been here before. In 2017 I wrote about witnessing a man telling my neighbors to go back where they came from
. Then too, I did not want to tell my father, nervous it would taint his view of his home of 50 years, a place that has given us so much.