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One of the best questions that astronaut Dr. Mae Jemison has ever received was from a 12-year-old girl: “How did being a dancer help you be an astronaut?”
Jemison, who became the first African American woman in space during her 1992 shuttle mission, was the child of two scientists. She looked up at the stars with wonder. She wanted to be a scientist, a dancer, an architect and a designer. Jemison took studio art classes, making ceramics, silk screenings and other forms of art. She didn’t know that she would become an astronaut; she thought maybe she could be those other things in space.
“At the core of them are creativity, because I wanted to help influence where the world went,” Jemison said. “I wanted to use my energy and my ideas to design new things, to explore the world around me. And we’re very physical beings, so dance is a way of physically exploring the world.”
Jemison explained to the girl that dancers must be disciplined, practicing and rehearsing constantly and paying attention to those around them while maintaining the choreography in their head. Dancing also requires the ability to take criticism and apply it.
Jemsion is an advocate for maintaining the arts in schools, in addition to science, technology, engineering and mathematics, a group of fields known as STEM.
“The sciences help us understand and convey ideas about the world as it’s experienced by everyone,” Jemison said. “And I think of the arts as helping us to convey understanding of the world as it’s experienced by the individual. Both of them are required for creativity. Both of them are required to move the world forward. It makes us full, rounded human beings. And it also keeps us interested.”
Diversity of all kinds is crucial to push the boundaries of space exploration; art is often lost in that part of the story. But for 50 years, art has also been helping tell the story of how humans are exploring space.
Alan Bean, the lunar module pilot for Apollo 12 and the fourth man to walk on the moon, had taken art classes before he became an astronaut. The artwork he created after returning to Earth tells the story of his mission, as well as the missions of other Apollo astronauts. When he resigned from NASA in 1981, he set out to share the truth and beauty of what they had seen.
His artwork has been exhibited at the Smithsonian’s National Air and Space Museum.
“Alan Bean and his astroartistry recreate the drama and excitement of man’s exploration of the moon as only could be chronicled by one who has been there,” astronaut Neil Armstrong said, according to Bean’s website.
Throughout his works, Bean used pieces of his spacesuit, the imprints of moon boots, marks from tools like a hammer and core tube bit he used on the lunar surface, and even small pieces of foil insulation and dust from the Apollo 12 landing site, known as the Ocean of Storms.
Bean, who died in 2018, was inspired by other explorer artists. “My paintings record the beginnings of a quest never to end, our journey out among the stars,” he wrote on his website.
Fellow astronaut John Glenn said, “he saw the same monochromatic world as the other astronauts, yet with an artist’s eye he also saw intrinsic beauty in the rocks and boulders and their textures and shapes.”
He was the first artist to land on the moon, but he wasn’t the only astronaut with a passionate connection to art.
Astronaut Nicole Stott, who spent 104 days living and working in space during two missions became the first to paint with watercolors in space during her 2009 mission.
Stott shares her unique view of space and the Earth through her work, aiming to promote the importance of science and art as well as the desire to care for our planet. She said that every astronaut has that moment when they come back to Earth: What do I do next? She couldn’t stop thinking about painting in space.
“Being able to look out the window and see something and paint my interpretation of it seemed meaningful,” Stott recalled. “Maybe my artwork is a way to uniquely share my experience. It’s been a really wonderful way to connect with people about appreciating where we live on this single planet. We need to take care of it.”
Stott is also the founder of the Space for Art Foundation, a nonprofit that creates space-inspired art therapy programs, research and exhibits. The Spacesuit Art Project was one of the recent aims of her foundation, which continues the quest for awareness around childhood cancer.
The project completed three suits made of art created by children in hospitals: Hope, Courage and Unity. On September 16, 2016, the stark whiteness of the International Space Station became an art gallery when astronaut and cancer researcher Kate Rubins donned the Courage suit and called down to Earth to speak with some of the patients.
“The spaceflight experience I’ve had is going to allow me opportunities to participate in projects like this,” Stott said. “It’s the most meaningful thing I’ve ever supported.”
“It’s always nice to meet a kindred spirit,” Bean said when he met Stott, according to her website. “I’m delighted that Nicole is the first astronaut of the Space Shuttle/Space Station era to choose art as her next step in life. All of us that have been fortunate enough to fly in space find it difficult to describe the beauty of our universe in words alone. I am thankful that Nicole has chosen to help share these amazing sights we have all seen through her very beautiful artwork.”
A window to space
Art was a priority for NASA’s second administrator, Jim Webb. He established NASA’s art program in 1962 and allowed artists to start coming to the agency in 1963. He saw a need for art to capture the history that was being made and portray it for the American people. And the artists were given free rein.
The leading artists of the time were invited to capture history. Norman Rockwell’s famous painting of astronauts Gus Grissom and John Young originated during the early days of the program in 1965. NASA loaned a spacesuit to Rockwell so he could accurately capture the details.
“Art is part of what makes us human,” said Bill Barry, NASA’s chief historian. “It captures the feeling of what it means to explore, which is what discovery is all about.”
Much of the art from that program is at the Smithsonian’s National Air and Space Museum.
Separate from that program, art is still being produced out of NASA’s Jet Propulsion Laboratory, through The Studio, and from artists Robert Hurt and Tim Pyle at the California Institute of Technology.
The Studio brings together artists and designers who work with scientists and engineers at NASA to inspire awe about the work and research being done at the agency.
In 2016, they released a series of posters inspired by the Works Progress Administration posters of the late 1930s and early 1940s that encouraged people to visit national parks. The Studio’s “Visions of the Future” posters portrayed places in our solar system being visited by missions, as well as envisioning exoplanets. The posters went viral.