As a little girl, she remembers, it would take her mom an eternity to get out the door in the morning. "Oh, Mommy, it's taking you so long to get ready," Smith lamented. Her mother would quip back, "It's not easy being a beautiful black woman. When you are a black woman the world needs to recognize your presence so you step out with your best foot forward because the spotlight is always on you."
Growing up, Smith proudly donned apparel that displayed slogans like "educated queen," "back to the motherland" or "black power" mixed in with Pan-African colors.
But by the time Smith, 29, graduated from Howard University in 2008, she saw there was a need to breathe life back into this fashion movement.
Smith began to wonder, "Where is the love of self? Now, I don't want to wear a dashiki all the time but I do want to have a shirt that encompasses self-empowerment."
"I saw there was a lack of self-identity and a lack of self-confidence amongst the black community, and what I wanted to do when I started to come out with my brand is not necessarily bridge the gap but mend the wound."
is Smith's Instagram clothing boutique. She ships thousands of orders per week, she said, to clients ranging from recent high school graduates to broadcaster Gayle King. Her apparel boasts messages such as: "Black Women Are Magic," "Black by Popular Demand," and even lyrics from Beyoncé's new song "Formation."
," a tribute to Beyoncé's black heritage and the beauty of the black woman, made waves when it was released two weeks ago, with some calling the song and video's message racist or anti-police.
By now, anyone plugged into social media has seen the terms #blackgirlmagic, #beingablackgirlislist or #melaninonfleek. These hashtags are accompanied by a range of photos, from black women rocking natural tresses to Beyoncé's backup dancers at Super Bowl 50 or simply a photo of a small child basking in the sun's rays.
But #blackgirlmagic and similar phrases have become more than just a hashtag on social media or a caption for tweets during Black History Month.
"The concept is important because it names and identifies the ways that black women make space for themselves, celebrate themselves, and connect to each other," said Asia Leeds, an assistant professor at Spelman College in Atlanta. "I think that the various hashtags allow us to curate our magic and facilitate new connections and discoveries."
There has even been backlash about the weight that #blackgirlmagic carries. A writer at Elle.com explained why she's not on board with the movement. "Black girls aren't magical. We're human," she wrote.
Tianna Sankey, 15, explained what the hashtags mean to her and why they're necessary.
The high-schooler created blkgirls
, a page on Instagram dedicated to showing beauty and excellence among black women across the world. She curates this content by using #blackgirlmagic, #melaninonfleek and #blackgirlsmatter. Sankey created the page last year and has already gained over 60,000 followers.
"My entire motive was simply to highlight the beauty of the black woman and promote self-love," said Sankey, who lived in Jamaica until she was 11 and moved to the United States four years ago with her family.
"This type of space was needed because black girls and women need to know it's not OK for those 'black jokes' being made and it's not OK to feel like you're any less than anyone else because of the color of your skin."
Sankey said she gets daily messages from women and young girls telling her that her page has changed how they feel about themselves.
Phrases like #beingablackgirlislit #blackgirlmagic #melaninpopping are being used by black women among each other to affirm their beauty and intellectual prowess, unapologetically celebrating every inch of themselves and each other. Spelman professor Michelle Hite said it's a natural outgrowth of the way black women support each other offline.
Hite, who teaches English studies, said the phrases have become a way for black women to say, "I see you [black woman] and I see you excelling and being successful in a context that is hostile to your very presence there, which makes it all the more glorious." Hite admitted it has been her affirming relationships with black women that have made her "recovery" possible.
Many black women have to recover from the traumas they may experience simply being a black woman in today's society, according to Hite.
Hite recalled that during a group discussion, a student told her about attending a sleepover with white friends. The student came out of the bathroom wearing a headscarf, which was used to protect her hair at night. She said the girls at the sleepover told the student she looked like Aunt Jemima. Hite said the student couldn't muster a response. On an overnight college visit, the student wore the same headscarf and a black student told her she looked like an African princess.
"It was the same scene but the outcome enabled her to recuperate her sense of dignity and a sense of humanity that was no longer humiliated by something that she was doing everyday but all of a sudden in this context with these white girls it became shameful," Hite said.
"It's black women who have acknowledged that 'I've done enough.' Black women, who have always been the ones who have given me permission to love myself and like myself."