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World

Haunting images of lady in red are among the earliest color photographs

Updated 9:54 AM EDT, Wed June 3, 2015
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These photographs are from 1913, one year before the start of World War I. And yet, they have an extremely modern feel and a dreamlike quality that wouldn't seem out of place in an Instagram feed.<br /><br />They were taken using a process known as <a href="http://en.wikipedia.org/wiki/Autochrome_Lumi%C3%A8re" target="_blank" target="_blank">Autochrome</a>, which debuted in 1907. It was invented by the <a href="http://en.wikipedia.org/wiki/Auguste_and_Louis_Lumi%C3%A8re" target="_blank" target="_blank">Lumière brothers</a> and was the earliest widely available color photography technique before film caught up in the 1930s. <br />The photographer is Mervyn O'Gorman, a famed British engineer. The girl is believed to be his daughter Christina, captured on a day at the beach in Lulworth Cove, southern England.<br /><br />Images of Christina are displayed in the exhibition <a href="http://www.nationalmediamuseum.org.uk/planavisit/exhibitions/drawn-by-light/about" target="_blank" target="_blank">Drawn By Light: The Royal Photographic Society Collection</a> at the National Media Museum, Bradford, until 21 June.
Stills from 102 years ago —
These photographs are from 1913, one year before the start of World War I. And yet, they have an extremely modern feel and a dreamlike quality that wouldn't seem out of place in an Instagram feed.

They were taken using a process known as Autochrome, which debuted in 1907. It was invented by the Lumière brothers and was the earliest widely available color photography technique before film caught up in the 1930s.
The photographer is Mervyn O'Gorman, a famed British engineer. The girl is believed to be his daughter Christina, captured on a day at the beach in Lulworth Cove, southern England.

Images of Christina are displayed in the exhibition Drawn By Light: The Royal Photographic Society Collection at the National Media Museum, Bradford, until 21 June.
Royal Photographic Society / National Media Museum / SSPL
Even though it's fair to assume that Christina is the photographer's daughter, some uncertainty remains. "We do not know who Christina is," Colin Harding, Curator of Photographs and Photographic Technology at the National Media Museum, said.  <br /><br />"There is no record of Lt Mervyn O'Gorman and his wife, Florence, having any children as far as I have been able to find. There is a census record of a woman named Christina O'Gorman living in Dublin, who was born in the 1890s. <br />"This would make her about the same age as the model in these photos, and we do know Mervyn O'Gorman had family links in Ireland. It is possible it may be the same person and she's a relative, but we can't say for sure."
Mysterious girl? —
Even though it's fair to assume that Christina is the photographer's daughter, some uncertainty remains. "We do not know who Christina is," Colin Harding, Curator of Photographs and Photographic Technology at the National Media Museum, said.

"There is no record of Lt Mervyn O'Gorman and his wife, Florence, having any children as far as I have been able to find. There is a census record of a woman named Christina O'Gorman living in Dublin, who was born in the 1890s.
"This would make her about the same age as the model in these photos, and we do know Mervyn O'Gorman had family links in Ireland. It is possible it may be the same person and she's a relative, but we can't say for sure."
Royal Photographic Society / National Media Museum / SSPL
The Autochrome process -- which captured the color red particularly well -- involved a glass plane coated with dyed potato starch, which acted as a color filter. <br /><br />Subsequent versions, that did away with the glass and used film, remained in use until the mid-1950s, but were eventually overshadowed by more advanced techniques.
A red beach dress —
The Autochrome process -- which captured the color red particularly well -- involved a glass plane coated with dyed potato starch, which acted as a color filter.

Subsequent versions, that did away with the glass and used film, remained in use until the mid-1950s, but were eventually overshadowed by more advanced techniques.
Royal Photographic Society / National Media Museum / SSPL
"Interestingly, O'Gorman was not a professional photographer, or a member of a photographic society," Harding said. <br />"He was an enthusiastic amateur who was a professional engineer interested in technology, motorcars and aircraft. His interest in Autochrome photography could stem from his passion for modern innovations, but he did also publish a book on poetry and had other artistic pursuits later in life."
An engineer with many talents —
"Interestingly, O'Gorman was not a professional photographer, or a member of a photographic society," Harding said.
"He was an enthusiastic amateur who was a professional engineer interested in technology, motorcars and aircraft. His interest in Autochrome photography could stem from his passion for modern innovations, but he did also publish a book on poetry and had other artistic pursuits later in life."
Royal Photographic Society / National Media Museum / SSPL
Christina is seen here with her mother, Florence, and her younger sister. Mervyn O'Gorman's camera case lies to their left. Autochrome glass plates did not require any special equipment, and could be used with any camera. <br /><br />Mervyn died in 1958. His wife much earlier, in 1931. As for the daughters, no records are available.
Family portrait —
Christina is seen here with her mother, Florence, and her younger sister. Mervyn O'Gorman's camera case lies to their left. Autochrome glass plates did not require any special equipment, and could be used with any camera.

Mervyn died in 1958. His wife much earlier, in 1931. As for the daughters, no records are available.
Royal Photographic Society / National Media Museum / SSPL
Seemingly unaware of the camera in almost every shot, the young girl is captured here while gazing into an ornamental pond.<br />The location for this photograph is not known, but it may possibly have been taken at the gardens of Rempstone Hall, near Corfe Castle, in Dorset.
The girl by the pond —
Seemingly unaware of the camera in almost every shot, the young girl is captured here while gazing into an ornamental pond.
The location for this photograph is not known, but it may possibly have been taken at the gardens of Rempstone Hall, near Corfe Castle, in Dorset.
Royal Photographic Society / National Media Museum / SSPL
Mervyn O'Gorman, who was 42 when he took these shots, was born in Brighton. He was an electrical and aeronautical engineer, and in 1909 he was named superintendent of the <a href="http://en.wikipedia.org/wiki/Royal_Aircraft_Establishment" target="_blank" target="_blank">Royal Aircraft Factory</a>.
Red and green —
Mervyn O'Gorman, who was 42 when he took these shots, was born in Brighton. He was an electrical and aeronautical engineer, and in 1909 he was named superintendent of the Royal Aircraft Factory.
Royal Photographic Society / National Media Museum / SSPL
Some of the original Autochrome photographs in this series are displayed in the exhibition <a href="http://www.nationalmediamuseum.org.uk/planavisit/exhibitions/drawn-by-light/about" target="_blank" target="_blank">Drawn By Light: The Royal Photographic Society Collection</a>, at the National Media Museum, Bradford, until 21 June 2015
Christina on display —
Some of the original Autochrome photographs in this series are displayed in the exhibition Drawn By Light: The Royal Photographic Society Collection, at the National Media Museum, Bradford, until 21 June 2015
Royal Photographic Society / National Media Museum / SSPL
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