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Toy Time: Beloved toys of the 20th century

Updated 12:53 PM ET, Tue December 3, 2013
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Christopher Byrne's "Toy Time" is a crowdsourced collection of the most beloved toys of the 20th century. The book examines the timeless appeal of toys like Colorforms, which allowed children to create scenes using vinyl stickers that could be moved around. "The appeal of Colorforms was that they allowed any kid to become an artist," Byrne says in the book. They were also among the first toys to be advertised on television, spurring demand. Marisa Train, © 2013 Christopher Byrne
Did you know that the first View-Master was introduced at the 1939-40 New York World's Fair? Like its ancestor the stereopticon, which allowed people to view 3-D pictures of faraway places, the View-Master was originally intended for viewing images of exotic locations and travel postcards, according to "Toy Time." It took off as a toy for children in the 1950s and is still marketed to toddlers. Marisa Train, © 2013 Christopher Byrne
The Spirograph is one of those toys that reflected the broader culture of its time, Byrne says, combining the "space-race obsession with math and science" with the "counterculture's fascination with optical art and the psychedelic." Children loved it because even though mechanical drawing tools had been around for decades, the Spirograph was the first to be marketed as a toy, Byrne said. Marisa Train, © 2013 Christopher Byrne
The fact that the board game Mouse Trap is still sold today, four decades after its launch, speaks to its timeless appeal, Byrne says. Inspired by the zany contraptions featured in Rube Goldberg's "Inventions" cartoons, the goal was to keep your mouse out of the trap, but the fun was in building a trap that worked, Byrne writes in "Toy Time." Ultimately, what made it so appealing was its zaniness and unpredictability, inspiring a "golden age" of skill-and-action games. the strong
Barbie has donned countless outfits and personalities since she came on the scene in 1959 as the first-ever three-dimensional fashion doll, regarded alternately as a symbol of empowerment and a model of "pernicious gender stereotypes," Byrne says. Indeed, her history is defined by this tension between "the joy she has brought to millions and the controversy she has courted," he writes in "Toy Time." the strong
Parents loved the Big Wheel because it was cheaper and seemingly safer than a traditional tricycle, Byrne says. Kids loved the sound of the hollow wheel hitting the pavement as they rolled around their neighborhoods in the low-slung seat. The Big Wheel was so popular that it didn't take long for imitators to flood the market shortly after its 1969 debut, leading Marx, the company that created the original Big Wheel, to declare bankruptcy, according to "Toy Time." the strong
Fashion Plates is another example of a toy that reflected broader cultural trends, with fashion designers in the 1970s becoming household names, Byrne writes in "Toy Time." It also tapped into a common trend in arts and crafts toys that allowed children "who might not be gifted artists to create a professional-looking result," Byrne writes. Marisa Train, © 2013 Christopher Byrne
Sure, the Cabbage Patch Kids were cute. But, by putting them up for adoption from Babyland General Hospital instead of simply selling them, doll maker Xavier Roberts created an insatiable appetite for these baby dolls. Even toy maker Coleco couldn't keep up with demand after it bought the rights in 1983 and began mass-production, leading to empty store shelves and even fights among desperate parents, Byrne says. the strong
"In the 1980s, there were few greater presumed indicators of intelligence than the speed with which one could solve the Rubik's Cube," Byrne writes in "Toy Time." Named for its creator, Hungarian Erno Rubik, the cube was the first puzzle that stayed in place while it was being solved, and few were able to resist the challenge. It became a global phenomenon after debuting in the United States in 1980, selling more than a million units in that year alone. the strong
There was more to Hungry Hungry Hippos than noise and chaos, Byrne says. "Smart kids knew that there was a strategy to this game," he said. "The name of the game was controlled whacking." Marisa Train, © 2013 Christopher Byrne
POGs started in Hawaii as seals for glass bottles of passion fruit-orange-guava juice (hence the name) and became a novelty item among kids who turned them into games and collectibles. When the craze spread to the mainland United States, it didn't last long, thanks to school bans. But for a while, everyone had POGs, and POGS were used to promote just about everything, from movies and sports to substance abuse campaigns, fueling the craze, Byrne says. Marisa Train, © 2013 Christopher Byrne
Rainbow Brite was part of the colorful "cavalcade of cuteness" that ushered in the 1980s, along with Care Bears and Strawberry Shortcake, Byrne says. She proved to have less staying power than the rest. Marisa Train, © 2013 Christopher Byrne
One of the first toys to cross gender lines, trolls have had several waves of success since Danish craftsman Thomas Dam created the first iteration in 1959. They made a big comeback in the 1980s when toy maker Russ Berrie revived them. Like Barbie, these homely creatures assumed many personalities, from leprechaun and Rastafarian to our personal favorite, rainbow hair. They appeared on TV shows and in movies, winning over a generation perhaps eager for a "respite from the saccharine sweetness of the Care Bears and Strawberry Shortcake," Byrne writes in "Toy Time." the strong