01:20 - Source: CNN
Buglers mark 150th anniversary of Taps

Story highlights

The well-known bugle call's 150th anniversary was Saturday

Buglers Across America enlisted nearly 200 volunteer buglers and trumpeters to play

Taps were created because of a Union general's displeasure at the lights-out call at the time

"This is like Carnegie Hall for me," says New Hampshire trumpeter Allison Cummings

Arlington, Virginia CNN  — 

Alan Tolbert is not your average 13-year-old.

While other kids his age spent their Saturday shopping at the mall or tossing around a football, Tolbert traveled from Shippensburg, Pennsylvania, to Arlington National Cemetery outside Washington dressed in a navy blue Civil War reenactment uniform and armed with a brass bugle.

Surrounding him at the historical site were nearly 200 other buglers and trumpeters from all over the United States, some even coming from as far away as California. A head shorter than his comrades, Tolbert’s costume was a tad too big – so big, in fact, that his mother had to roll up the bottom of his pants three times to make them fit. He didn’t seem to notice, though. All he cared about was playing the 24 notes that make up taps.

It is perhaps the most famous of military signals, and on Saturday it turned 150 years old.

Taps, traditionally played at military funerals and also known as “Butterfield’s Lullaby” or “Day is Done,” were born during the Civil War along the James River.

Buglers and trumpeters from around the United States gathered at Arlington National Cemetary in Washington D.C. on Saturday to commeorate the 150th anniversary of "Taps, " a musical piece traditionally played at military funerals. Currently, "Taps" is played at the cemetery about 30 times daily, most notably at the Tomb of the Unknown Soldier.

Gen. Daniel Butterfield, unhappy with the lights-out call, decided to change the nightly tune to a softer melody, ending up with the tune played today. Currently, taps are played at the cemetery about 30 times daily, most notably at the Tomb of the Unknowns.

To commemorate the 150th anniversary, Buglers Across America, a nonprofit organization that seeks to play live renditions for veteran funerals rather than subject the mourners to a CD version, enlisted nearly 200 volunteer buglers and trumpeters.

The musicians joined together and played a united taps performance before they set off in search of a single soldier’s tombstone in the 624-acre burial ground. Some chose a spot simply for its convenient location. Others, like Tolbert, chose them for their significance.

One of the youngest volunteers, he selected the grave of Johnny Clem, a 10-year-old Civil War drummer who became a sergeant by the time he turned 12. Tolbert usually plays taps by himself but said it was a great opportunity to play with some of the best buglers in the country on the hallowed ground of the cemetery. He admitted he didn’t think a military career was in his future, though.

“I don’t think I want to be in the military one day, so the best I can do to serve our country is to honor those who are,” Tolbert said.

For those who did serve in the military, playing taps in Arlington National Cemetery is one of the greatest honors for a bugler.

Well-known bugle historian and 23-year veteran Jari Villanueva explained that for him, it’s his way of paying back those who fought for America.

“Whether it would be after a career, 20, 30 years, or even those who have died on active duty, it’s our way of officially saying to the military, ‘Thank you. Safely rest. God is nigh,’” he explained, quoting the final lyrics associated with the melody.

Allison Cummings, a patrol officer from Hudson, New Hampshire, says playing taps at Arlington National Cemetery was like playing at Carnegie Hall.

Allison Cummings, a patrol officer from Hudson, New Hampshire, usually plays taps at law enforcement funerals and ceremonies in her home state, but said playing in Arlington was a unique experience.

“I started playing the trumpet when I was in fifth grade so I’ve been playing for quite a while… Even from that age, I remember visiting here when I just started playing,” said Cummings, dressed in a black uniform trimmed in gold with her trumpet hanging by her side.

“This is like Carnegie Hall for me. This is just an incredible experience.”

“[Bugling is] just that final honor to someone who’s served their country, and it’s just such an honor to play that for them,” Cummings said as she stood opposite the grave she was about to serenade, fingering a commemorative gold coin she would lay to rest on the white marble headstone after her performance.

“It’s for the family as well, but I think of it as playing to that person, just a final thank you for what they did.”