‘The Grey’ tops box office with $20 mil

Liam Neeson, fighter of wolves, may be the closest thing the box office has to an alpha male.

The 59-year-old actor’s latest thriller, “The Grey,” debuted in first place with a better-than-expected $20 million, according to studio estimates.

That places the R-rated film just below the openings of Neeson’s “Taken” ($24.7 million) and “Unknown” ($21.9 million). It also represents a major win for Open Road Films, the new distributor formed by AMC Theatres and Regal Cinemas. Although “The Grey” cost a reported $34 million to produce, Open Road acquired the wilderness-survival movie for just $5 million.

The well-reviewed but admittedly harsh film earned a middling “B-” rating from CinemaScore audiences. According to the market-research firm, 71 percent of the audience was at least 25 years old. Of particular interest, 67 percent of moviegoers listed Neeson as the reason they purchased a ticket to “The Grey,” confirming the actor’s drawing power. Neeson is now taking suggestions on what animals he should confront next. My vote: Alvin and the Chipmunks.

The weekend’s two other new movies, “One for the Money” and “Man on a Ledge,” witnessed less impressive debuts. Both films were promoted with $6 ticket offers through online coupon sites (Groupon for “One for the Money” and LivingSocial for “Man on a Ledge”). Also, with Lionsgate’s recent acquisition of Summit Entertainment, the studio was essentially competing against itself – “One for the Money” is a Lionsgate release, while “Man on a Ledge” is from Summit.

“One for the Money,” a PG-13 action comedy starring Katherine Heigl as a bail-enforcement agent, landed in third place with $11.8 million. That’s slightly better than what many industry experts predicted, but still represents Heigl’s worst opening since breaking out in 2007′s “Knocked Up.” There’s a noticeable downward trajectory to the star’s recent box-office performance, with each of her last four films opening to a smaller amount than the movie before it. “One for the Money” drew an audience that was 75 percent female, and CinemaScore participants gave it a “B-” grade.

“Man on a Ledge” underwhelmed with $8.3 million – enough for fifth place. The PG-13 thriller stars “Avatar’s” Sam Worthington, who has yet to prove he can open a film without being surrounded by big-budget special effects. According to CinemaScore, only 17 percent of audiences listed Worthington as their reason for buying a ticket. If there’s a bright spot for “Ledge,” it’s that the movie received a “B+” rating from CinemaScore audiences.

Among holdovers, “Underworld: Awakening” fell 51 percent for $12.5 million. That’s actually the best second-weekend hold for any “Underworld” movie. After 10 days, “Awakening” has grossed an estimated $45.1 million – more than any of its predecessors had in the same time frame. The World War II action film “Red Tails” dropped 45 percent for $10.4 million, bringing its two-week total to $33.8 million.

Also, “Mission: Impossible – Ghost Protocol” crossed $200 million on Friday. After 45 days in theaters, “Ghost Protocol” has earned $202.6 million and is neck and neck with “Mission: Impossible II,” which collected $201.7 million in the same period. It’ll be a nail-biter as “Ghost Protocol” attempts to pass “Mission: Impossible II’s” final tally of $215.4 million to become the franchise’s top earner.

In limited release, “Albert Nobbs,” starring Oscar-nominated Glenn Close and Janet McTeer, debuted to a mediocre $770,000 from 245 theaters. A number of Best Picture nominees expanded this weekend to take advantage of their recent nominations. “The Descendants,” which increased its theater count from 560 to 2,001, jumped 176 percent to pull in $6.6 million. Martin Scorsese’s “Hugo” rose 143 percent for $2.3 million. And the front-runner “The Artist” earned $3.3 million, pushing its cumulative total to $16.7 million.

1. The Grey – $20.0 mil

2. Underworld: Awakening – $12.5 mil

3. One for the Money – $11.8 mil

4. Red Tails – $10.4 mil

5. Man on a Ledge – $8.3 mil

See the full article at EW.com.