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Bitch: In Praise Of Difficult
Women
Elizabeth Wurtzel
Doubleday, $23.95
Either you love her or want to smack her.
Just as she did with "Prozac Nation",
Elizabeth Wurtzel is stirring up passionate
debate with her smart new book, "Bitch: In
Praise of Difficult Women".
Uh-oh. it's the second book from Elizabeth
Wurtzel, the tad-too-calculated human train
wreck, self-proclaimed depressive, and
off-and-on druggie, the Courtney Love of
letters. So it's natural to expect "Bitch: In
Praise of Difficult Women" to be as shrewdly zeitgeist ready as her first effort,
1994's self-serving but cannily marketed "Prozac Nation". "Bitch", which purports
to dissect high-maintenance types like the biblical Delilah, Amy Fisher, Hillary
Clinton, Nicole Brown Simpson, Sylvia Plath, and Margaux Hemingway, reads
like a long, messy E-mail from an insomniac on a manic high. The prose,
seemingly untouched by editors, is windy, incessantly self-referential, and
packed with show-offy references to everyone from Aeschylus to the Queen of
Sheba. It's only nominally about difficult women; it is, rather, The World
According to Elizabeth Wurtzel.
It's also an extraordinarily thought-provoking, absorbing, wise, often poignant
read. You can disagree with Wurtzel, but at least she always has a passionate
point of view. She defends the marriage of Hillary and Bill Clinton as a triumph
of perseverance; she champions Amy Fisher; she points out, as many
feminists were loath to, that the relationship between Nicole and O.J. Simpson
was more complex than merely victim and villain; she expertly analyzes the
odd, doomed attraction between powerless women like Gennifer Flowers and
the powerful men they often nearly bring down, like Clinton. Unlike "Prozac
Nation", which seemed transparently the work of a too-smart Harvard kid who
suckered "The New Yorker" into hiring her at age 24 and figured book publishing
was another easy mark, "Bitch" feels authentic, the ravings of someone who in
another era would be either a reclusive scholar or remanded to an insane
asylum.
Grade: A-
-- Dana Kennedy
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