Moore gives another fatiguing performance in 'G.I. Jane'
August 27, 1997
Web posted at: 4:24 p.m. EDT (2024 GMT)
From Reviewer Paul Tatara
(CNN) -- Let me state right off the bat that Demi Moore
(registered trademark) bugs the living hell out of me.
First and foremost, she's a painfully joyless, humorless
actress whose sole near-performance is in "Ghost," and that's
only by default, because she gets to sink her teeth into 25
or 30 crying jags.
Outside of that, she seems to think that she's carrying some
kind of banner for the unwashed masses of women out there who
haven't had the good fortune to receive a magnificent set of
implants, and don't have the time to obsessively hone their
tummy muscles.
On film and in magazine spreads alike, Moore displays her
breasts as if they're a dual Red Badge of Courage. I got the
biggest laugh when she acted like she was striking a chord
for the Sisterhood by earning 12 million bucks to yank her
shirt off in "Striptease." I'm fairly certain that Meryl
Streep can do without this kind of trail-blazing.
"G.I. Jane" suggests a cross between producer/director Taylor
Hackford ("An Officer and A Gentleman," "Against All Odds")
and Leni Riefenstahl, who filmed the 1934 pro-Hitler
propaganda documentary "Triumph of the Will."
Where's the acting?
"G.I. Jane" features the ultimate Moore performance,
substituting, as it does, sit-ups and one-armed push-ups for
the more bothersome form of communication known as "acting."
After a powerful U.S. senator (a sometimes not-bad Anne
Bancroft) makes a big stink about the lack of women in
military combat positions, Moore is hand-picked to become the
first female to train with the elite Navy SEALS.
This is perfect territory for Moore, who, in recent years,
has shown an ever-growing propensity toward the "Tom
Cruises." Like Cruise, her movie persona repeatedly (and
loudly) announces her physical and emotional superiority to
us mere mortals. (It's even pointed out, when Bancroft is
perusing applicants, that Moore's character is very
good at writing essays!)
"G.I. Jane" gives her the chance to finally train with the
big boys, in a hyper sado-masochistic endurance test that
after a while starts to resemble a dimly lit, fatigue-covered
level of hell that Dante somehow neglected to tell us about.
'Pain is our friend'
The SEALS program (as portrayed in the film) is so mindlessly
brutal, you'd be more likely to kill an entire phalanx of
sailors with it, rather than prepare them for any kind of
combat. Under the steely, sneering gaze of the Master Chief
(played by Viggo Mortensen with sunglasses in place, the
better to lift from "Cool Hand Luke,") Moore and her comrades
get huge, weighted drums rolled over them, do hundreds of
push-ups in the ocean surf, get fed by hand out of garbage
cans, and are kept awake for hours by obscenity-screaming
platoon leaders.
And this is during the FIRST DAY! "Pain is our friend,"
we're told, but it didn't look like anybody I'd ever
volunteer to go to a ballgame with.
I'm inclined to think that only a very desperate person would
need this kind of pumped-up degradation to develop a sense of
self-worth, but Moore is packing enough backbone to lift
Detroit onto her shoulders.
In fact, when she complains to the commanding officer, it's
not because of how hard it all is, but because they're being
too easy on her! This only makes sense because, as we all
know, Demi can do hundreds of push-ups, thousands of sit-ups,
bring home the bacon, fry it up in a pan, and never-ever let
you forget you're a man.
Pretending to deal with social issues
She's like a cross between Dolph Lundgren, Jayne Mansfield,
and a bulldozer. In one supposedly inspiring scene, she
chooses to shave her own head, finally completing her chosen
career trajectory by becoming a taut-skinned ball-peen
hammer. Of course, Moore's character doth protest too much
by saying things like, "I'm not interested in becoming some
poster girl for women's rights." If I were a woman, I would
give her wish by wholeheartedly endorsing someone else as my
spokesperson.
The story occasionally starts to toy with real issues, but
this is just a Rambo movie that's pretending to deal with
social questions as a smoke screen.
At the point that the Master Chief pretends to rape her in
front of the other sailors (in a humiliating, ridiculous
sequence in which he and his cohorts actually torture the
SEALS, apparently to show them what it's like), Moore settles
things by kicking him near-unconscious while her hands are
tied behind her back. In the last act, she actually risks
her neck to save this same animal from the blazing barrels of
a bunch of marauding Libyans. Forgive and forget, I guess.
The message seems to be that the better spirits of a human
being (male or female) can be ground down into a powder, but
as long as they're replaced by a savage enough self-
possession, you're still on the side of the angels. And this
is supposed to be inspiring.
The movie is directed by Ridley Scott, but the credit should
more properly read "driven into your skull by ... " Moore,
Scott, and screenwriters David Twohy and Danielle Alexandra
have managed to turn feminism into a TV wrestling match.
It's all quite pathetic, and remember, as Bancroft's
character says at one point, "Nothing is final until you've
seen it on CNN." I'm assuming she includes the Internet.
"G.I. Jane" is a demeaning, violent, bloody workout video.
Some brief nudity, bad language and a false sense of human
resilience. Rated R. 115 minutes.