Arthur Miller rides 'The Crucible' again
December 26, 1996
Web posted at: 5:00 a.m. EST
From Correspondent Cynthia Tornquist
NEW YORK (CNN) -- Arthur Miller's politically charged 1953
play "The Crucible" is coming to the big screen this holiday
season with Hollywood heavyweights like Winona Ryder on the
bill, but it is the legendary playwright who saw that the
project stayed true to his original message.
(1.2MB/23 sec. QuickTime movie of scenes from "The Crucible")
Daniel Day-Lewis, Ryder and Joan Allen star in the story of a
young girl who terrorizes her town by accusing fellow
townsfolk of practicing witchcraft. Miller, who also wrote
the movie's screenplay, based the story on events in the town
of Salem, Massachusetts, in 1692.
Miller originally wrote "The Crucible" as a response to the
anti-Communist hysteria stirred up in the 1950s by Republican
Sen. Joseph McCarthy and the House Committee on Un-American
Activities. The playwright says his work is still relevant
today.
"It's about panic, paranoia, about people believing in things
that don't exist and going a little crazy because of that,"
said Miller. "And I'm afraid it doesn't go away."
But leading lady Ryder took a different message away from the
play when she read it as a teen-age girl.
"I read that play when I was about 13 or 14 because he was a
big hero of my father's," she said. "It's one of the few
plays [in which] a young girl is one of the lead characters.
So I really thought it was an incredible, unforgettable
experience."
Miller's involvement in the current silver-screen incarnation
of the play meant more than merely adapting his work for the
celluloid treatment.
Miller's other job was making the cast feel at ease working
with both a legend and legendary material.
Day-Lewis, who portrays John Proctor, said he was not
convinced he could play the morally torn character until he
got a letter from the playwright.
"Arthur wrote to me at one point. I know, beyond any doubt,
that played a large part in making things [right]," he said.
"What did he say? It was essentially a letter of
encouragement."
Director Nicholas Hytner admits he found working with Miller
daunting at first, until the playwright's commitment showed
him that the material was incorruptible.
"It was like going to Shakespeare and saying 'This play "King
Lear," we could goose it up a bit,'" said Hytner. "But it was
in the end unbelievably easy [working with Miller] because
there was never any question that anyone wanted to compromise
on the ideas."
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