'Jay and Silent Bob Strike Back' opens Friday
Kevin Smith is moving on
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"I don't really act, I just have three glances or three looks. We call them look 1, 2,
and 3," says "Jay and Silent Bob Strike Back" director, writer and actor Kevin Smith.
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(CNN) -- Director, writer and actor Kevin Smith, patron saint of a generation
of
slackers, first arrived on the movie scene with 1994's "Clerks." The native of
Red Bank, New Jersey, followed that surprise low-budget success with
"Mallrats" (1995), "Chasing Amy" (1997) and Dogma" (1999).
Now the wisecracking, comic-book-adoring "Star Wars" freak brings all his
characters back in "Jay and Silent Bob Strike Back." The film has the largest
budget for any Smith film -- $15 million, still mere pennies by Hollywood
standards -- and one of his oddest plots.
As always, Jason Mewes is Jay and Smith is Silent Bob. The duo this time
heads for Hollywood, bent on meddling with a production that's based on
their
comic book alter-egos. Along the way, the two run into assorted characters
from previous Smith films.
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Jay (Jason Mewes) and Silent Bob (Kevin Smith) find out about a new movie based on their comic book alter-egos in "Jay and Silent Bob Strike Back."
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Among the performers with full-fledged roles, cameos or walk-ons are Mark
Hamill, Carrie Fisher, Chris Rock, Shannon Elizabeth,
Ali Larter, Jason Lee, Ben Affleck, Matt Damon and George
Carlin.
"Showbiz Today Reports" talked with Smith about the new movie, the
Internet, and what film he'd like to re-edit.
CNN: Why are you ending the series?
Kevin Smith: I'm ending the series because I feel it's time. Don't
you think it's
high time we got out of here before people start throwing [at] us? I gotta to
get
out of here. I'm getting old. I'm 30, look at these crow's feet.
CNN:Why do you give yourself so
few lines as Silent Bob?
Smith: Because I have zero ego. I can't sit there and hog all the
screen time
with the best lines. I give those to Jay. I'm happy to just sit there and react. I
don't really act; I just have three glances or three looks. We call them look 1,
2 and 3.
I'm a really poor actor. ... It's easy to give all the good material to
people like Jason Mewes, Affleck and to Matty Damon and Chris Rock
because, A: they're much more famous; and B: they're far better performers
than me. I'm
just content to sit back and ring-lead and take credit for everything.
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CHAT
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CNN: How did you get this illustrious cast to sign on?
Smith: I just asked nicely. It really comes down to that. You just
go, "You
wanna do it?" And they go, "OK."
CNN: In the movie your character is obsessed with finding out
who is
trashing you on the Internet. Do you take a similar view in real life?
Smith: It [surfing the Web] impedes on me being a husband and a
father. I
have a daughter I haven't seen in a few years -- and she lives in the same
house as me.
... When people say negative things about me on the Internet, I kind of lose
my cool and basically hire p.i.'s [private investigators] to track these people
down, because they always hide behind anonymous names, right?
That's what the nut is all about -- anonymity. I know it's the same two
12-year-old guys who just keep changing names and making fun of me. But
I'm tracking them down. If you're watching, I'll find you, little boys.
CNN: There's buzz around town that you worked on the Internet
short "The
Phantom Edit," the reworking of "The Phantom Menace" movie by "Star
Wars" fans. True?
Smith: Do you think that I have that much free time to sit around
and re-edit
George Lucas' movie? I'm busy editing my movie and doing a poor job at it.
Why would I take a shot at his flick? I'd like to think that I have better
things to do with my time than sit around and re-edit old movies.
If I was going to re-edit a movie, I don't think I'd choose "The Phantom
Menace." I'd probably go for something like "The Wizard of Oz." That's
too long
and the black-and-white stuff doesn't work. I'd just get to the flying
monkeys.
... It would basically be three minutes long with just the flying monkeys,
because that's kind of what the movie is really about.
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