JULY 10, 2000 VOL. 156 NO. 1
Zhang Ziyi in a scene from Crouching Tiger, Hidden Tiger.
Aboard for the Zhang High Express
star is born
By RICHARD CORLISS
young actors at China Central Drama College gather at a lunch table to
chat about their vacation activities. And what did you do, a third-year
student is asked. That's when slim, demure Zhang Ziyi gets to say: I played
the main character in an Ang Lee epic. Chow Yun-fat and Michelle Yeoh
fought over me and with me. I made movie love in the Gobi Desert with
Chang Chen. And then we all went to the Cannes Film Festival.
Asia's most beguiling new movie presence can be found cracking the books
in a Beijing acting school. Studying, that is, when she's not playing
hooky to star in films by the top directors of the three Chinas. Zhang
Ziyi, the daughter of a Beijing economist and his kindergarten-teacher
wife, is just 20. She says she "felt a lot of pressure" on Crouching Tiger,
Hidden Dragon, "a pressure not to disappoint the director. I felt I was
a mouse, and Ang Lee a lion." Yet Zhang has a maturity, a sense of purpose,
beyond her yearsand a will of steel.
had been trained in dance and won an award at the National Young Dancer
competition. But at 15 she gave it up. "I got frustrated with dancing,"
she says insouciantly. "I didn't like it." The girl knew what she didn't
want. Now she knows what she wants: to be an internationally renowned
actress. We're betting she can be. She has already impressed her off-campus
teachers. Tsui Hark, who has just directed Zhang in his remake of Zu:
Warriors of the Magic Mountain, calls her "a refreshing surprise. I thought
she had a whole new definition of sensuousness." Ang Lee was surprised
as well. Though he originally wanted the Taiwanese siren Shu Qi to play
Jen, he now raves about Zhang: "She allows the audience to pour themselves
into her imagination. It's not really her in the movie, it's you. That's
beyond acting; it's cinematic charisma."
in Crouching Tiger comes as no surprise to those who have seen her debut
film, Zhang Yimou's The Road Home. The movie is set in 1958, and she is
"the most beautiful girl in the village," smitten by a young schoolteacher
who has just come to town. Before she arrives the film is in black and white,
but with her entrance it bursts into color. And once the camera spots her,
it can't take its eye off her. It fills the screen with her imagenearly
licks her face in adoration. It caresses her with backlighting and displays
the swirl of her pigtails in slow motion, as if wanting to extend every
instant she is onscreen. It is a film of a girl in love, and a film in love
with a girl.
ALSO IN TIME
Instant Classic Taiwan filmmaker Ang Lee's Crouching Tiger,
Hidden Dragon is not only a star-studded epic, but also a rule-bending
masterpiece that weds martial arts with sense and sensibility
Hot Stuff: Actress Zhang
HONG KONG: Man of the Jeer
Three years after its return to the mainland, the former British colony
is showing signs of economic resurgence. But the public isn't happy
with the guy at the helm, Tung Chee-hwa
Viewpoint: A legislator
says democracy is losing
INDIA: Treasure Hunt
Officials are red-faced as villagers in a remote settlement loot a
vast, historically significant discovery of gold and jewels
CAMBODIA: Strike, We're Out!
Asia's long-exploited factory workers are making their voices heard,
downing their tools and demanding a better deal
Grape Escapes in the Vineyards of Thailand
Young beauty like this can exercise a tyranny over the audience; our eyes
are magnetized by meeting hers in the dark. But Zhang has more: the talent
not to dramatize emotion but to inhabit it. In The Road Home she must convey
hope, anxiety, longing, exultation with few words of dialogue and the smallest
shifts of expression. Early in the film, she waits for the teacher each
afternoon on a hill. Now she spots him. Their paths cross. He notices her
and smiles. Her face beams and flushes. Then she waddles away in her red
parka, almost drunk with the joy of a dream that has bloomed into possibility.
Later, the teacher has been ordered to leave for the city, but he promises
to return and has given her a hair clip as a token of his affection. She
stands serenely before a mirror, fixing his clip in her hair. Then her smile
hardens and matures. The girl knows that now she is a womanhis woman.
The audience knows this too, not by a spoken word or a trick of film technique,
but because of a subtle flash across the face of a young actress with an
Because Zhang Yimou made his first seven features (including such art-house
classics as Ju Dou and Raise the Red Lantern) with Gong Li, and because
the actress was Zhang's mistress as well as his muse until their breakup
in 1994, many speculated that the old Zhang and the new one were keeping
serious company off the set. The young novice, who met Zhang Yimou when
she auditioned in 1997 for a shampoo commercial he was shooting, soon became
known as "the Little Gong Li." It was not meant as a compliment.
In repose, Zhang could be Gong Li's younger, softer sister (just as, in
Crouching Tiger, she could be Yeoh's infant siblingher features have
that pliability). But China's most promising newcomer has little in common
with its most famous actress. Gong Li was always all woman: insolent, stern
and sturdy, a threat to the men who wanted her. Zhang Ziyi is a promise
of girlhood ripening, inside, to womanhood. If Gong Li was an image of China's
power and defiance, Zhang is a China ready to conquer the world with charm.
Yimou and Zhang Ziyi lovers? The involved parties won't say. The director
merely observes that "girls of her age will have a fatherly feeling toward
me, because we're from two generations." (He is 48.) He finds Ziyi "young,
pretty, alive" and, as an actress "very smart, quick in her responses. She
immediately understands what you want and how to express it. Of course,
she's still young. She needs training and practice to become a very good
CROUCHING TIGER, HIDDEN DRAGON
Cover: Instant Classic
Taiwan filmmaker Ang Lee's Crouching Tiger, Hidden Dragon is
not only a star- studded epic, but also a rule- bending masterpiece
that weds martial arts with sense and sensibility
All Aboard for the Zhang High Express: Actress Zhang Ziyi sizzles
Felt Like a Mouse and Ang Lee was a Lion': Zhang Ziyi
on acting, stardom and Richard Gere in this web-only exclusive
'It's Emotional and Dramatic': Michelle Yeoh is no stranger to action-packed films, but the going was tough in Ang Lee's surefire hit
The region's filmmakers score big at this year's Cannes
festival, winning four of the top prizes (6/5/2000)
In the martial-arts drama Crouching Tiger, Hidden Dragon,
Ang Lee and a cast of big stars struggle with moviemaking
on the mainland (11/29/99)
Set With Ang Lee
Elaborate sets, derring-do and big stars are all found
in the martial-arts drama "Crouching Tiger, Hidden Dragon"
Zhang Ziyi speaks of Gong Li's eminence not as a destination but as a point
of departure. "I don't mind being called the Little Gong Li. I feel no pressure.
If I have the ability, then I can manage that. The times are different now
from Gong Li's day. China's cinema has been rising for some time; it has
more exposure, so my chances of becoming internationally known are better.
But the first thing I have to do is learn English. If I can grasp the language,
then perhaps I can think about the U.S." Here is a young woman with aspirations
as wide and as hot as the Gobi Desert. Today, Beijing; tomorrowHollywood!
At the Cannes Film Festival dinner for Crouching Tiger, Zhang was surrounded
by glamorous colleagues who had lived in the spotlight for decades. Yet
in her delicate gown she stood out like a princess, chatting with animated
poise, at ease in her radiance. She knew the night was hers, and that there
would be many more like it. The movie world was gazing at her, in enraptured
closeup, and she was ready for it.
Reported by Stephen Short/Hong Kong
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