Skip to main content
Part of complete coverage on
 

What we see when we see art

By Thomas P. Cambell, Special to CNN
updated 11:13 AM EDT, Sun October 21, 2012
STORY HIGHLIGHTS
  • Thomas Campbell: I learned from art teacher who shunned jargon, academic classification
  • He says he was inspired to view art as a window into understanding how people live
  • Key questions are how art was made and why it was made, he says
  • Campbell: Museums should be places where people meet with art across time, space

Editor's note: Thomas P. Campbell is director and CEO of the Metropolitan Museum of Art. He spoke at the TED 2012 conference in March. TED is a nonprofit organization dedicated to "ideas worth spreading," which it makes available through talks posted on its website.

(CNN) -- When I was considering a career in the art world, I took a course in London with a teacher who changed my perspective on art.

He drank too much, smoked too much, and swore too much — which didn't make it easy to be his student — but what I learned from him helped guide my curatorial career and remains a touchstone for me as director of the Metropolitan Museum of Art.

This teacher was always suspicious of formal art history training, as he felt that it filled his students with jargon and compelled them to merely classify things.

Director of the Met on curating museum

His goal was to demonstrate how to really see a work of art, reminding us that all art was once contemporary and encouraging us to ask basic questions: What is it? How was it made? Why was it made?

Watch Thomas Campbell's TED Talk

I would later apply these questions to the field of tapestries, a neglected area of art history despite the central role these objects played in the past as a potent form of propaganda.

I came to the Met as a curator in 1995 and set out to organize a groundbreaking show about Renaissance tapestry. I designed my 2002 exhibition to be an experience, a spectacle of wall-high images saturating the galleries with lavish court scenes, hunters crashing through thick woods in pursuit of their prey, and violent battles depicted in a medium that was the IMAX of its time. The success of the show was gratifying; I had exposed the public to something they had never before considered.

Become a fan of CNNOpinion
Stay up to date on the latest opinion, analysis and conversations through social media. Join us at Facebook/CNNOpinion and follow us @CNNOpinion on Twitter. We welcome your ideas and comments.



As the director of the Met, I still believe passionately in that carefully curated experience. We live in a world of ubiquitous information and just-add-water expertise, but there is nothing that compares to the presentation of works of art in a narrative that is both informed by scholarship and captivating to the public.

TED.com: Building a museum of museums on the Web

\
"The Unicorn Defends Itself," a tapestry dating from 1495-1505 in the collection of the Metropolitan Museum of Art.

Indeed, my job now is the same as my early teacher: to encourage our visitors to really see the art in the Met's galleries, whether it's a Samurai sword or the fashion of Alexander McQueen.

Our 2011 Alexander McQueen exhibition is actually an excellent example. Instead of an extensive shop-window display, it was an immersive journey into the mind of a man who was not just a clothing designer, but a storyteller, filmmaker and conceptual artist.

A display from the exhibition \
A display from the exhibition "Alexander McQueen: Savage Beauty," The Metropolitan Museum of Art, 2011.

The research and vision of Met curator Andrew Bolton brought that complexity forward and made the exhibition exceptionally moving for our visitors, many of whom waited over five hours to see it.

TED.com: How art, technology and design inform creative leaders

Individual objects in the Met's collection can have the same power as these major exhibitions. The Met was established in 1870 not as a museum of American art, but as an encyclopedic museum, and it now includes works of art from every corner of the globe.

Today, the prescience of that founding mandate is felt more than ever as 24-hour news coverage has us digesting the world at an ever-quickening pace. The works of art in the Met's galleries allow people to slow down that cycle, tap into a broader historical context and better understand the cultures at the center of current events. Think of Libya, Syria and Egypt.

TED.com: High tech art with a sense of humor

The 2000-year-old Temple of Dendur is displayed in the Sackler Wing of the Metropolitan Museum of Art, New York.
The 2000-year-old Temple of Dendur is displayed in the Sackler Wing of the Metropolitan Museum of Art, New York.

Daily, our visitors confront objects like the Temple of Dendur from c.15 BC, an ancient Egyptian structure built by the Roman Emperor Augustus, who, as ruler of Egypt, had himself depicted as a pharaoh (politicians still use regional traditions, though now that means eating cheese steaks).

To see this structure — its actual stones carved by hand and surviving two millennia — now sitting alongside traffic passing through Central Park speaks powerfully about the passage of time and the longevity of human civilization.

TED.com: Art of substance and absence

If visitors look closely, they can see 18th-century graffiti left by European travelers who over 200 years ago considered this object with the same awe. Suddenly, our moment in history seems tiny.

Certainly our galleries for Islamic art also make this point. Opened 10 years after 9/11, almost to the day, and tracing the development of Islamic cultures over 14 centuries and across a vast geographic expanse, these galleries have received more than 800,000 visitors since they opened a year ago, a resounding endorsement of both the power of actual objects in a virtual world and the public interest in a culture that had little resonance for many Americans before the 2001 tragedy.

In the end, I want the Met to be a place where people meet not only with friends or on a date, but with works of art across time and space.

But let's face it, museums can be intimidating, and spending time being intimidated is exhausting.

Museums can also be boring if you feel like this old stuff has nothing to do with you. My job is to relax our visitors so they can sense a connection, get excited, explore, try the unknown and follow their curiosity. That means ditching the jargon, but not the scholarship, and getting to the real work of inspiring the public to look around and find themselves.

The opinions expressed in this commentary are solely those of Thomas P. Campbell.

ADVERTISEMENT
Part of complete coverage on
updated 8:37 AM EDT, Tue October 28, 2014
Errol Louis says forced to choose between narrow political advantage and the public good, the governors showed they are willing to take the easy way out over Ebola.
updated 2:03 PM EDT, Mon October 27, 2014
Eric Liu says with our family and friends and neighbors, each one of us must decide what kind of civilization we expect in the United States. It's our responsibility to set tone and standards, with our laws and norms
updated 7:45 AM EDT, Mon October 27, 2014
Sally Kohn says the UNC report highlights how some colleges exploit student athletes while offering little in return
updated 3:04 PM EDT, Sun October 26, 2014
Terrorists don't represent Islam, but Muslims must step up efforts to counter some of the bigotry within the world of Islam, says Fareed Zakaria
updated 9:02 AM EDT, Fri October 24, 2014
Scott Yates says extending Daylight Saving Time could save energy, reduce heart attacks and get you more sleep
updated 8:32 PM EDT, Sun October 26, 2014
Reza Aslan says the interplay between beliefs and actions is a lot more complicated than critics of Islam portray
updated 7:19 AM EDT, Mon October 27, 2014
Julian Zelizer says control of the Senate will be decided by a few close contests
updated 8:12 AM EDT, Fri October 24, 2014
The response of some U.S. institutions that should know better to Ebola has been anything but inspiring, writes Idris Ayodeji Bello.
updated 5:01 PM EDT, Wed October 22, 2014
Paul Callan says the grand jury is the right process to use to decide if charges should be brought against the police officer
updated 12:19 PM EDT, Thu October 23, 2014
Theresa Brown says the Ebola crisis brought nurses into the national conversation on health care. They need to stay there.
updated 6:35 PM EDT, Tue October 21, 2014
Patrick Hornbeck says don't buy the hype: The arguments the Vatican used in its interim report would have virtually guaranteed that same-sex couples remained second class citizens
updated 12:30 PM EDT, Fri October 24, 2014
The Swedes will find sitting on the fence to be increasingly uncomfortable with Putin as next door neighbor, writes Gary Schmitt
updated 12:32 PM EDT, Fri October 24, 2014
The Ottawa shooting pre-empted Malala's appearances in Canada, but her message to young people needs to be spread, writes Frida Ghitis
updated 9:48 PM EDT, Sat October 25, 2014
Paul Begala says Iowa's U.S. Senate candidate, Joni Ernst, told NRA she has right to use gun to defend herself--even from the government. But shooting at officials is not what the Founders had in mind
updated 6:08 PM EDT, Thu October 23, 2014
John Sutter: Why are we so surprised the head of a major international corporation learned another language?
updated 5:54 PM EDT, Thu October 23, 2014
Jason Johnson says Ferguson isn't a downtrodden community rising up against the white oppressor, but it is looking for justice
updated 12:21 PM EDT, Fri October 24, 2014
Sally Kohn says a video of little girls dressed as princesses using the F-word very loudly to condemn sexism is provocative. But is it exploitative?
updated 4:06 PM EDT, Tue October 21, 2014
Timothy Stanley says Lewinsky is shamelessly playing the victim in her affair with Bill Clinton, humiliating Hillary Clinton again and aiding her critics
updated 10:14 AM EDT, Thu October 23, 2014
Imagine being rescued from modern slavery, only to be charged with a crime, writes John Sutter
updated 12:00 PM EDT, Tue October 21, 2014
Tidal flooding used to be a relatively rare occurrence along the East Coast. Not anymore, write Melanie Fitzpatrick and Erika Spanger-Siegfried.
updated 7:35 AM EDT, Tue October 21, 2014
Carol Costello says activists, writers, politicians have begun discussing their abortions. But will that new approach make a difference on an old battleground?
updated 9:12 AM EDT, Tue October 21, 2014
Sigrid Fry-Revere says the National Organ Transplant Act has caused more Americans to die waiting for an organ than died in both World Wars, Korea, Vietnam, Afghanistan and Iraq
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT